There's something wonderful about a new, knob-covered mono synth, and the first big leak from NAMM is this (from the Harmony Central forums), the DSI Mono Evolver keyboard. $1199 gets you an Evolver in a steel box, 37 keys, 58 knobs, lots and lots of blue LEDs and, most important of all, wooden end panels. It's very expensive, but... Damn! Dave Bryce, who works for DSI, posted the pictures on the forum, and said they really wanted to sell the synth for under $1,000, but couldn't make the sums add up. Watch the DSI Website for updates.
I don't normally post 'x is upgraded to version y' type stories, so this is a bit self-indulgent. But if you own a Dave Smith Evolver, you'll be delighted to hear that V3.0 has just been released here. It adds 43 new midi CCs - so it will be much easier to control with a controller or sequencer. Unfortunately, the upgrade costs $25, and involves a new chip inside the box. But while you're waiting for that to arrive, there's a really good new soundbank, which seems much more logically arranged. And if you haven't got a DSI Evolver, why the hell not? What kind of house can you buy for $499? (thanks for the pic, Corky)
Dave Bryce is a DSI staffer who regularly pops up on the Vintage Synth forum to drop rumours about new products (just like he did for the launch of the Mono Evolver Keyboard). At the moment he's holding court with an announcement sure to bring a tear to eye of the most hard-hearted synth geek. DSI is about to release the Prophet 8 - a 30th anniversary re-release/remix of the Prophet 5. Of course, Matrix Synth has a good summary of what we know so far: 8 voice, all analog, patch memory, sequencer, arpeggiator, none of the digital stuff from the Evolver, street price of $1,999. Exciting stuff. There are sound samples from Stefan Trippler here and a teasing video here.
If you need any reminding of how cool Prophet 5s were, I strongly recommend this wonderful YouTube clip of Talking Heads playing in Rome in 1980 with two Prophet 5s, one Prophet 10 and Adrian Belew on strat and RE-201. There's a torrent of the whole show on Trader's Den (some registration required, I think). (Thanks Aaron, picture via BDU, Heads link via BoingBoing)
At the moment it's just a render on a poster on the Dave Smith Instruments stand at NAMM, but this could be the new drum machine from Dave Smith (of Sequential Circuits, man behind the Prophet 5, Pro-One and Evolver range) and Roger Linn (of the Linn drum machine and Akai MPC range). It's a new analogue/digital drum machine, obviously inspired by the Evolver, but with the 4x4 pads of the MPC range. No details, and a chance the whole thing is a hoax, but it's wonderful to see such a cool boutique thing being talked about all over the forums, with the most sensible analysis at the MPC forums: "Cant they just make it a black case? Whats with the gay 80's rocker pants design?" Quite.
Here are a small handful of synth-related videos. If you have more links, post them in the comments and I'll do a round-up in a few days.
Pink Floyd's Synthi AKS Dave Gilmour (now looking like a senior banker relaxing at his weekend house, but in the archive clips looking like the cool one from Radiohead) noodling on the sequencer of a Synthi AKS, demonstrating how 'On The Run' from Dark Side of the Moon came together.
Pete Townsend's ARP2500 Here's a young (and old) Pete Townsend from The Who playing an Arp 2500 and 2600 and a Hammond Organ and recreating 'Won't Get Fooled Again'.[WMV]
Vangelis' CS80: Here's a very short but wonderful clip [MPG] of Vangelis noodling on the CS80 and tinkling on what is probably his Yamaha GS1 (a primitive FM piano). It's pleasingly 'Blade Runner' all round.
Benny from ABBA's GX1 Mikey covered Roth Händle Studios a while back. It's a Swedish studio which looks after Benny Andersson's mind-bogglingly awesome Yamaha GX-1. Here [MPG] are a bunch of clips of them messing about with it.
Axiom's DSI Evolver 'Axiom' from the Electro Music forum bought a DSI Evolver. This [DivX] is him playing it for the first time, just flicking through the presets. For a very different take, here's Dave Smith himself playing.
Different Skies If you're after a some really grotty, mucky synth porn, then this [QT] is a 25 minute tour of the ultrageeks' gear at this year's Different Skies space music festival in Arizona.
(Thanks to Matrix Synth for many of these clips)
Inspired by this post and an enthusiasm for gadgets, I just got an Efergy electricity meter. Among other things, I can find out how much my energy my 'studio' uses.
The mains powered bits of my 'studio' consist of: 1 tower PC, 2 LCD screens, 2 external drives, Pod XT, Nord G2, MPC1000, DSI Evolver, MFB Synth II, Emu Audiodock, Dynacord VRS23 delay, Roland TR-909 (thanks, Peter), an old hifi amp and a Anglepoise lamp with a low energy bulb (ha!).
The verdict: With everything on standby, it's drawing 0.035kwh. With everything on, it's drawing .660kwh. With the gear on, but the PC (and screens) on standby it's drawing .192kwh. No wonder it gets warm in there in summer.
The average cost of residential electricity in the US was 9.86¢/kWh in 2006 - let's call it 10¢ for ease of calculation (I couldn't find a sensible average rate for the UK, but this suggests 10p/kwh isn't unreasonable). That means: Keeping everything on standby for a year = $30. Keeping everything on for a year = $578. Keeping everything on for 3 hours, five days a week = $51 (+ standby).
My observations:
1) I thought all those horrible external PSUs would mean standby costing a fortune. It doesn't, really.
2) That computer does suck a lot of power. One more reason to love hardware over software.
3) If I was really worried about standby, an Intelliplug would pay for itself in six months.
4) I wonder how much big old analog synths or valve amps draw?
5) The Fit-PC is pretty sexy (draws 5w of power, no fan, smaller than a paperback, costs £150) but I'm not sure it will play nicely with Ableton...
I'm selling a few bits and pieces to make space in my room:
DSI Desktop Evolver You know all about it - wonderful, clever 4osc analog/digital synth in a tiny blue steel box. This one is signed by Dave Smith above the logo on the top left and I'm selling it because I'd like a MEK. £275
E-mu Vintage Pro 1U rack stuffed with vintage synths, keyboards and kits. Nice mellotron. Four tweaking knobs, endless synth options and midi features. SoS review. £250
Drawmer 1960 Compressor Awesome stereo valve compressor/mic pre magic box. Very good condition. SoS review here. Selling for my friend Michael. £650 pickup only from SE London
Lexicon Vortex Famous minor classic rack effect - delay/mod/oddness effect. This one has slightly glitchy preset knob, but the footpedal works fine. Original box/manual etc. £120.
1963 Silvertone Guitar Built in the US and sold through the Sears Catalogue, I bought this in a record shop in upstate New York many years ago. It's one of these. It's very far from mint condition, it's not a classic vintage guitar, but it does look and sound cool. £120 pickup only (because I'd want you to see it first).
I'll ship and take paypal, but collection (South East London) and cash much preferred. Email me if you have any questions.
'Studio' clear out time...
1. DSI Evolver desktop with v3 firmware (And it's signed by Dave Smith!) £200
2. Ghetto studio monitor setup: Pair of Acoustic Energy AE200 passive monitors (Reviewed here in Sound on Sound) + Cambridge Audio A500 amp + chunky cable (there's a CD player too, if you want it). £100
3. EMU 1820m PCI audio interface, inc Audiodock, rack shelf, all the bits and pieces. Fantastic, rock solid interface if you can use PCI. Vista drivers are available. Reviewed in Sound on Sound. £100
4. Epiphone LP Junior, 'vintage sunburst' £100
5. 1GB PC2-6400 Ram for a 2008 iMac £20 (inc postage)
6. 1 x 17" and 1 x 15" LCD monitors. £25 for the 17, the 15 goes free to a good home.
7. Pentium 4 3ghz PC. Good case, 1gb ram, Zalman CPU fan, quiet PSU, chequered history, NO HARD DRIVE. Free to a good home.
I'll ship items 1 and 5 to UK addresses. Everything else is initially collection only from South East London. Email musicthing.tips@gmail.com if you're interested. Bigger pictures on Flickr.
As the nights draw in, it's time for some idle speculation (and poor-quality photoshop work) about new product launches at NAMM in two months' time. I doubt we'll see it this year, but my hunch (and it is just a hunch) is that Moog are developing a polyphonic synth based on the technology in the Little Phatty. Why? Shortly after the Voyager was released, Bob Moog said 'We could build one...But we're not going to'. Back then, he was working with the Voyager - a fantastically expensive hand-built machine. Now, with the Little Phatty, I think everything is in place for a realistically-priced poly synth.
What do the different parts of a synth cost? Look at Dave Smith Instruments: An Evolver Rack (four voices and a very minimal interface) costs $1,349. A PEK (four voices, a 5 octave keyboard, tonnes of rotary encoder knobs, wooden ends, an awful lot of blue LEDs and a big steel box) costs $1,050 more at $2,399. So, keyboard and interface costs just over $1,000.
What about voices? Voices for the small-run, very boutique, all analogue, all discreet, Studio Electronics Omega 8 seem to cost $350 each (Two voices = $2,299, Four voices = $2,999).
If we assume Phatty voice cards cost the same, it would be possible to build 8 of them into a PEK-quality keyboard for $3,850, just $400 more than the top-of-the-line Moog Voyager. Four voices would be $2,450 - cheaper than the Alesis Andromeda (which admittedly has 16 all-analogue voices.)
Is this what Moog are working on? I don't know, but it would be cool if they were. Would you buy a Big Phatty?
... [CONTINUE READING]
Every few weeks, I get an email from someone saying "You should post something about Bhajis Loops. It's amazing!" It's a studio-in-a-box which runs on Palm handhelds. I've written about it a couple of times . So, finally inspired by this thread full of more happy users, I emailed Olivier, who told me (roughly) "Get a Tungsten T3. They've got a clever memory thing, they're cheap, and they're cool". So I did. Mine came with a Wifi card for £85, some go for £60. The software is $27, and you can buy 1gb SD cards for £10 on the 'bay.
What does it do? Loads samples and lets you sequence them. Each sample is like an oscillator - you can use a single wave or long sound, loop it, and run it through the filter/effects. You can sample directly from the built-in microphone. You can draw the waveforms from scratch. Most things can be automated. You can download free sample packs - the Fairlight CMI library, old tracker sounds, vintage synths and drum machines, or just dump your own samples onto the SD card. I've made this sample pack with Mellotron, Cracklebox and DSI Evolver samples.
Why do people think it's so cool? Olivier is a genius of interface design. The software is intuitive, logical and really quick to use. Drawing X0X drum patterns right onto the screen is great. Because it's quick and dirty and fairly lo-fi (like an MPC60 is lo-fi) it's fun, and I found myself avoiding micro-polishing hell. There's a very active user community always coming up with new hacks and tricks - three weeks ago, jngpng worked out how to do Ableton-style timestretching (roughly).
What's bad? Entering tiny little notes with a tiny little pointer on a bus rattling through South London is a bit fiddly. It's quite tempting to make really bad hardcore records.
What does it sound like? There are tonnes of user songs to download here.
I mentioned Welcome To Mars, Ken Hollings and Simon James' funny and wonderful radio/podcast series about science and science fiction in the 1950s and '60s way back when it launched. The series finished last week, so you can now download all 12 half-hour shows from here. The shows are really worth listening to, if you're at all interested in science, science fiction, weird history (UFO sightings, CIA drug experiments, the birth of Scientology, Wilhelm Reich, Aleister Crowley), or electronic music, with Simon rocking the Dotcom Modular, Moog Voyager, DSI Evolver and Ableton Live. Also, here you can download Simon's interview with Basil Kirchin the eccentric English composer/experimenter who died last year.
Simon writes: "I just thought I’d let you know about a radio show that I am producing over the next 12 weeks. The soundtrack is all new material specifically produced for the show. It is mostly electronic (Minimoog Voyager/Evolver/Dot Com Modular/Theremin) but also features Dimension Pro sampler and Ableton live software. The show is live and I will be using Ableton's fine software to create a lot of the sound on the fly. It's presented by Ken Hollings, whose reading is not only live but also unscripted - he's just talking about topics he knows inside out." It's a series about the history of science fiction from 1947-59, which I'll be listening to on the bus to work tomorrow... Links to the podcasts are here, or you can hear the show live on wednesdays on Resonance FM in London and on the web.
This is the Minod Vorga, a new boutique analog mono synth with a built-in 8 step sequencer, an analog joystick and a funky double-peak filter. €640 (£440) is hardly cheap, but it does look fantastic - a white face in a hardwood box, a bit like a pocket-sized VCS3. I wish my DSI Evolver looked more like this... (via Matrix Synth)
Slightly tragically, I've managed to forget my own first birthday. The first ever MT post was on August 24th 2004. Since then, there have been 814 posts, 1.6 million page views and 2465 comments. Thanks to Mikey and Tommy all the other inspiring people who've sent ideas, and apologies for those I never got round to posting. Sorry it's been quiet over the last few weeks - I've been very distracted by work, a new baby, builders all over my house (oh, and that Evolver 3.0 Upgrade). Normal service will hopefully be resumed soon. Thanks also to all the other music-gear bloggers. I started MT because there was nothing I wanted to read, and now there's plenty.
Say what you like about Behringer and their super cheap music gear. This video [wmv] of a Behringer BCR2000 knob box dancing to acid house from a DSI Evolver is pure geek heaven. Stefan Trippler, we salute you! (Thanks, Jim)