Ben writes: "Well now. Two Fairlight series IIs, some Simmons drums and a Stepp DG1 digital guitar (played by the late, great Alan Murphy I think). Who else, but Kate Bush?" Here she is, miming on 'Wogan' in 1986, doing 'Experiment IV'. Amazing to think this was broadcast at 6:30 on BBC1 to an audience of millions. And yes, that is a very young Nigel Kennedy perched on her desk.
MT reader 'Synthetic' was at the NAB show in Las Vegas a couple of weeks back and saw this incredible signed Fairlight CMI keyboard, which will be auctioned for the human rights charity Witness later in the year. The names read like the guest list for the Music Thing summer barbecue: Brian Eno, Peter Gabriel, Kate Bush, Jean Michel Jarre, Jan Hammer, Daryl Hall and, bizarrely but wonderfully, Billy Gibbons. Visually, it's strangely reminiscent of this...
UPDATE: More on this at the wonderful DVDBorn Blog here.
This [YouTube] video for 'Magnetic Fields 2' by Jean Michel Jarre is simply astonishing. It opens with JMJ (looking even more like Laurence Lewellyn Bowen than usual). He's sitting in an igloo, serenading an Eskimo gentleman with what seems to be a Fairlight with the top cover taken off. The Eskimo is busy gutting a fish, and is surprised to find a big transistor embedded in the fish's flesh. Suddenly, JMJ is transported to a forest, where he meets some women wearing white robes, and finds a giant matching transistor. Equally suddently, he's transported inside his synth, carrying a spinning compass, which quickly turns into some French interpretative dance dudes. A little later, he meets an African man standing in the desert next to a gigantic bit of audio cable. Could someone else watch this, and reassure me that I'm not having an enormous mental breakdown? Thanks.
It's a kind of partner video to this Kate Bush effort, which now looks relatively normal. Also from JMJ: "I have an obsession with time and naked ladies" here. (thanks, JDJ on EM411)
Apologies for yet more YouTube stuff, but I'm watching this now, because pretty soon it will have all evaporated.
1) The astonishing and awful 'Synthesizer Medley' from the 1985 Grammy awards, with Stevie Wonder, Herbie Hanckock, Thomas Dolby (miming with a TR606), Howard Jones (bless him), and a ludicrous mountaing of synths. here (The full story is here, including Stevie Wonder's very mean practical joke on Herbie Hancock.)
2) Human League playing 'Being Boiled' on Granada TV in 1978 (none more analog) here
3) Iggy doing 'The Passenger' Live in 1978, complete with horse tail here.
4) Bowie's astonishing 'Soul Train' appearance in 1975 (can you believe this clip is 31 years old?) here
5) Sun Ra playing live, proving you don't need Max/MSP and experimental interfaces to make extreme wierd shit here
6) Kate Bush doing 'The Man with the Child in his Eyes' on SNL here
7) The full 18 minute video for Flowered Up's 'Weekender' - this should be in the British Museum... here
8) Prince at the Brits last week with Wendy & Lisa & Shiela E (Stick with it, the first song is tiresome) here
9) Trent Reznor plays Billy Idols' 'Eyes Without A Face' sometime in the early '80s here
10) Madonna's ludicrous appearance with Tim Westwood on 'Pimp My Ride' (check out the very theatrical cocaine sniff half way through, just before she starts writhing on the floor) here
BONUS: Delia Derbyshire speaks here
Isn't it refreshing when national stereotypes come true? While English -speaking synthy websites are filled with a chiptune controversy, a new DJ control surface and a 1940s electronic pioneer, the French do it differently. The Groovy Babes special on Oldschool-Sound.com is a lengthy flash slideshow which collects every picture they can find of (mainly) attractive women with synths, ranging from #1 MT pinup Cynthia Webster (left) to Kate Bush suggestively fondling her Fairlight (centre) to... well, I really don't know what that picure on the right is. It's very mildly NSFW, including a strange picture of a '60s topless girl group and what looks like a '70s Playboy shoot featuring a Moog Prodigy. (via Matrix Synth, which has recently moved to: matrixsynth.blogspot.com, and is still updated every, like, six minutes with an unstoppable stream of cool things)
In honour of this Fairlight Series III turning up on Austrailan Ebay (currently £814, but it will go up), I've declared this Fairlight Week, a celebration of the biggest, most expensive, cleverest and most over-the-top vintage synth of all.
5 things I didn't know about the Fairlight CMI:
The name comes from this boat, a hydrofoil which sails across Sydney Harbour to Manley. Inventors Peter Vogel and Kim Ryrie were looking out of the windows of their harbour-front offices, trying to think of a name for their new machine, and there it was.
The first synth Kim Ryrie designed was the ETI 4600. ETI stood for Electronics Today International, a magazine founded by Kim which published instructions for the DIY synth. In Britain, it was known as the Maplin 4600.
The first digital synth that Ryrie and Vogel developed was the Quasar M8, a vast machine which used 2kw of power, was four feet long, took two hours to boot up, had 4k of waveform RAM and - by all accounts - sounded terrible.
Peter Gabriel was the first pop star to use a Fairlight. His brother in law became the UK distributor.
Kate Bush was an enormous Fairlight fan, writing 'Running Up That Hill' and 'Hounds of Love' on one. "I took one look at it and said, 'This is what I've been looking all my life.' I couldn't believe the Fairlight. It's called a synthesizer, but many of its sounds are of natural source. To be able to play with strings, waterfalls, anything you want, it's wonderful."
FAIRLIGHT WEEK CONTINUES