Incredible footage of TONTO and Stevie Wonder

I know I say this all the time, but this footage of Stevie Wonder playing 'Living for the City' with TONTO really is one of the coolest things I've ever seen. TONTO was two guys, one British and one American, with a vast polyphonic analog synth built out of Moog, Serge and Arp components. So here's Stevie jamming with Robert and Malcolm tweaking the machine in the background looking like a biker gang made up of mad scientists. And they're doing it in Jimi Hendrix's Electric Lady studios. Wow. If that's not enough, there's also this extraordinary clip, which I won't even try to describe.
Meanwhile, in what could be a slight anti-climax, TONTO are performing this weekend at the splendid Big Chill Festival in Herefordshire. Malcolm Cecil is "creating a 'Virtual TONTO' and will play live over pre recorded backing tracks." Mr Wonder is not expected to appear. (via MatrixSynth here and here)

Stevie Wonder and Eighties electronics

Mark writes: "Your site needs more Stevie Wonder, and I'm dismayed that he's not one of your MT heroes. Come on! Stevie is all about the toys." He's right, and Stevie is the patron saint of ludicrous synth gear (like TONTO). Here he is with his exceptionally cool Robotron Eureka, a PC for blind people. Here is a fantastically naff advertisment which he made for Kodak batteries, featuring some very mild gear porn, and finally here is an utterly awesome YouTube clip of Stevie singing 'Close To You' using a voice tube...

Wonder vs Jones at the 1985 Grammy Awards

Apologies for yet more YouTube stuff, but I'm watching this now, because pretty soon it will have all evaporated.
1) The astonishing and awful 'Synthesizer Medley' from the 1985 Grammy awards, with Stevie Wonder, Herbie Hanckock, Thomas Dolby (miming with a TR606), Howard Jones (bless him), and a ludicrous mountaing of synths. here (The full story is here, including Stevie Wonder's very mean practical joke on Herbie Hancock.)
2) Human League playing 'Being Boiled' on Granada TV in 1978 (none more analog) here
3) Iggy doing 'The Passenger' Live in 1978, complete with horse tail here.
4) Bowie's astonishing 'Soul Train' appearance in 1975 (can you believe this clip is 31 years old?) here
5) Sun Ra playing live, proving you don't need Max/MSP and experimental interfaces to make extreme wierd shit here
6) Kate Bush doing 'The Man with the Child in his Eyes' on SNL here
7) The full 18 minute video for Flowered Up's 'Weekender' - this should be in the British Museum... here
8) Prince at the Brits last week with Wendy & Lisa & Shiela E (Stick with it, the first song is tiresome) here
9) Trent Reznor plays Billy Idols' 'Eyes Without A Face' sometime in the early '80s here
10) Madonna's ludicrous appearance with Tim Westwood on 'Pimp My Ride' (check out the very theatrical cocaine sniff half way through, just before she starts writhing on the floor) here
BONUS: Delia Derbyshire speaks here

At last! Stevie Wonder + Synclavier on the Cosby Show


Someone has finally posted a blurry VHS recording of Stevie Wonder demonstrating his Synclavier on the Cosby Show. It's a bit more scripted and toe-curling than Herbie Hancock on Sesame Street, but still great. (Thanks, Mark and Crnk Mnky)

eBay of the year: Yamaha GX-1

Pray silence, please, for possibly the most ludicrous music gadget ever to appear on eBay: Item #7354713788 is a Yamaha GX-1 Synthesizer with over a week to go, but no bid yet at US$200,000. The GX-1 was the predecessor to the CS-80. It's a mighty three-manual synth, with 135 circuit boards and tiny analog sound cartridges, which are programmed by turning minature pots with a jeweller's screwdriver. Around 50 were made, and few ever left Japan. Stevie Wonder bought two at £40,000 each. John Paul Jones from Led Zeppelin had one, as did Keith Emerson, Hans Zimmer, Benny from Abba and the Church of Scientology (but we already knew that L Ron Hubbard was an organ nut). The GX-1 also inspired one of the most wonderful articles that Sound on Sound has ever published: This story by Gordon Reid telling how he bought one through a local paper small ad in Australia and had it shipped back to Cambridge, where he had to demolish his garden fence just to get it into his house. Curiously, this GX-1 is also in Australia.

eBay of the Day: Hohner Guitaret

If you saw Stevie Wonder at Live 8, hammering out 'Higher Ground' and 'Superstition' on a battered old Clavinet D6 and Boss AW-2 Auto Wah pedal, you'll know that we have a lot to thank Hohner for. The company was founded in 1857 and was the first to sell harmonicas. They made the harmonica Abraham Lincoln used to carry around, and gave Wally Schirra the tiny one he played on the Gemini IV spacecraft in 1965. But I'd never heard of Hohner's Guitaret. It was invented by Ernst Zacharias, who went on to develop the Pianet and Clavinet. The only English description I can find is this: "It's a kind of reed autoharp. It had buttons to select chords and a lever to activate the plectrum mechanism, and was intended to replace the rhythm guitar in dance bands" (via). It plugs into a guitar amp, and may sound a bit like an electric thumb piano. Now, one has turned up on German eBay item #7335307871. It comes in the original box, looks like it's in good nick, ships worldwide, accepts Paypal and is currently only €20. If you buy it, do let me know what it's like... UPDATE: Not THAT rare, perhaps: item #7337947775 is another one!

Ebay of the Day: Yamaha CS80

They don't come up for sale very often, so if you didn't get what you wanted for Christmas and need a bit of cheering up, how about spending £1,000+ on a fully working Yamaha CS80? It's perfect for recreating the soundtrack to Blade Runner, and it weighs more than me. Of course, your synth snob friends will complain that it's merely a cut-down version of the Yamaha GX-1 - the vast and endlessly expensive organ-style synth that Keith Emmerson and Stevie Wonder bought. But considering the CS80 cost £5,000 in 1977, it's really a bargain. Sure, you could buy Arturia's CS80v virtual version, but in this case, it really isn't the same.
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