This is absolutely my favourite picture that I've ever published in Music Thing. Giorgio Moroder, sitting at a Moog Modular in some kind of 70s loft, dressed like a bottle of Jean Paul Gaultier perfume, pointing. It's possible that he's saying "I don't know, Donna, just wail something… 'I feel love'? Anything, really, I'm just trying to get this bassline right. No, listen, it's harder than it sounds."
Truth is, I don't know anything else about the picture, but thanks to Tommy Walker III for sending it to me. This is what I do know about Giorgio Moroder:
Giorgio made the first pop record to feature a Moog synth: Chicory Tip's 'Son of My Father' in 1972 [iTunes link] It's awful.
I didn't realise that he also made these records: Irene Cara's Flashdance (unfortunately only available in a Latin version on iTunes). Berlin's 'Take My Breath Away', Kenny Loggins 'Danger Zone' (which was originally supposed to be recorded by Toto), Blondie's 'Call Me', the entire Scarface soundtrack, Limahl's 'Never Ending Story', Falco & Brigitte Nielsen's 'Body Next To Body' (Yes, that's Giorgio, Brigitte and Falco)
Giorgio's synth programmer was Harold Faltermeyer, who did 'Axel F' on the Beverly Hills Cop soundtrack. There's a delightful rock/trance cover version here
There's an epic Giorgio discography here.
CLICK FOR PART 2
Posted by Tom Whitwell.
Comments:
I'll be. I always thought the first pop-Moog hit was "Popcorn" by Gershon Kingsley, but I guess Moroder et al beat 'em by a few months.
My favourite thing in the photo is the slight paunch poking through the maestro's tight T-shirt.
Possibly the finger is pointing at a trembling Donna Summer, who is being given another talking-to by Herr. Moroder for (yet again) bringing back insufficient pastries from the patisserie.
'Son of my father' by Chickory Tip was a cover of the original song which apeared on the album of the same name by Georgio (no 'Moroder' on the front sleeve, but there's a picture of him with his dog and mustache). His version is way better than the Chicory Tip version and theres lots of other good songs on the album including some in kind of punky disco styles... in 1972! The album features Georgios' usual gang. ABC/Dunhill DSX 50123 if you like catalouge numbers. Keep your eyes open for this one!
'Son of my father' by Chickory Tip was a cover of the original song which apeared on the album of the same name by Georgio (no 'Moroder' on the front sleeve, but there's a picture of him with his dog and mustache). His version is way better than the Chicory Tip version and theres lots of other good songs on the album including some in kind of punky disco styles... in 1972! The album features Georgios' usual gang. ABC/Dunhill DSX 50123 if you like catalouge numbers. Keep your eyes open for this one!
Back in the late 60's, Dick Hyman did a Moog album (all Moog) that had a tune called "The Minotar". That tune made it into the AM pop radio circuit. There was a part in it that sounded like a police siren . . . we'd be driving around and that part would come on and everyone would start looking around. That album also had a tune called "The Legend of Johnny Pot" . . . like Johnny Appleseed only this Johnny sprinked cannabis seeds. Anyway, not really a pop album . . . more crossover from, uh, somewhere.
Ehhr...all this talk about Harold Faltermayer...you seem to forget that LA Synthesist/programmer Dan Wyman was responsible for the Moog programming on several Moroder productions like "Once Upon A time" (1977), "Giorgio & Chris" (1978), "No 1 Song In Heaven (1979) and "Bad times".
I repeat, the pix above with Moroder in front of a big Moog modular was in fact taken at Dan Wyman's Sound Arts studio (either during the '77 OUAT sessions or the '78 "G & C" sessions).
The song and album Eequal mc2 (1979) wasn't produced entirely digital as mentioned and was'nt the first digital recording ( the first beeing a bozz scaggs lp). moroders 1979 album where 24 analog synths controlled by roland MC8 microcomposer beeing 2 track life recorded onto a digital 2 track system (with visual waveform editing as seen on the inner sleeve pic) that moroder cost 15.000 USD pro day to hire!
I too must throw in a mention of the 'From Here to Eternity' LP. It's absolutely seminal synth-dance-pop, and some of the best work I've heard by him.
Great photo. I too love the paunch (about as big as my own), a testament to hours spent geeking out, rather than working out. This is what we'll look like in the lifestyle of futuristic utopias.
moroder also did the soundtrack to a movie called 'foxes' which was actually some of his better stuff i think. there was at least one really good 7 minute + dancefloor destroyer on there.
Speaking of TOTO and synth history: I'm told that some members of TOTO, well before TOTO, did synth work on some songs with Gary Wright, songs that did a lot to make me notice synths back in their day: "Dream Weaver" and "My Love Is Alive". IIRC, one or more of the future TOTO players was still a kid in high school.
Sorry if this has been covered elsewhere on MT, bit I'm sure that George Harrison used a Moog modular on 'here comes the sun'(1968 ?) Not Mention the bakelite nightmare which was the clavioline which turned up on a few sixties hits such as Del Shannon's 'runaway' and poor old Joe Meek's 'telstar'.
I suppose it depends on how you define what exactly consitutes a synth. (Theramin anyone?)