Tuesday is Prince Day: Pt 3: How ‘Kiss’ was made

Prince was alone in this room with this microphone when he recorded ‘Kiss’. Fortunately, he told engineer David Z about it, and he told Dan Delaney, who wrote a brilliant Mix magazine article about it:
1) ‘Kiss’ was originally a country song. Prince recorded it on cassette and gave it to a band he was developing. They were called Maserati. The tape was just a verse and chorus with Prince singing and playing acoustic guitar. Maserati weren’t impressed.
2) The band worked on the track for a day, trying to make it work. They still weren’t impressed.
3) Early the next morning, Prince came into the studio and listened to what they’d done. He recorded the electric guitar part and his vocal. Then he threw the band out of the studio and stripped off most of what they’d recorded.
4) Like ‘When Doves Cry’, ‘Kiss’ has no bass line. Instead, the kick drum from a Linn 9000 is put through a backwards reverb patch on an AMS RMX 16, an early digital reverb.
5) There are just nine tracks of music and vocals on the record. It didn’t take long to mix.
6) Prince recorded the vocal in Studio B control room at Paisley Park studios, on a Sennheiser MD441 microphone. Why? Because Stevie Nicks had recommended it to him.
7) The record company were horrified by the track, saying it was too minimal, with no bass and no reverb. Prince was so powerful at the time that he forced Warner Brothers to put the record out, and it went to Number One in the US. That convinced him he was always right, and less than a decade later, he was walking round with ‘Slave’ written on his face.


Comments:
Kiss was created in 1985 at Sunset Sound's Studio 3 in Los Angeles. Paisley Park Studios in Minneapolis did not open until September of 1987.
 
Oh yes, you're right. Bad reading on my part. Oh well, ignore that picture, then...
 
I'd just add to that. The acoustic guitar part recorded originally as a strummed kind of country and western thing is made to fit to the rhythm by a side chain gate from a Drawmer DS201 (I think that's the model number). The effect is pretty simple to re-create and I've done it a couple of times myself for heavy metal bands I've worked with, who would probably instantly dismiss it if they knew where it originated.
 
I worked for prince as an engineer for years. This song was a simple 1-4-5 blues progression strumed in a pattern similar to the Springsteen / Pointer Sisters song "Fire", until David Rivkin mixed it.

The guitar track on tape was run through a Keypex gate and the 'key' input patched from the hi-hat track (track 4 on the master tape). The kick augmented with an AMS RMX-16 reverb's "Nonlin" program.

Marv Gunn and Bruce from Maserati can be heard singing the "Ahh-a-ahh" BGVs.
 
Actually the band is called Mazarati, not Maserati.
 
ok, so you knowHOW it was made, but do you know everything behind it? well, I will tell you. the song "kiss" was a response to a song my mom, rachelle gabrielle fontaine, wrote prince for his birthday while they were together. there, now you know. you need proof? ask him! or see the copyright. it's true. thank you.
 
there was one song that i really enjoyed i reall wish i could find it its called 100 Miles An Hour and its by the band Mazaradi or Maserati i really dont care about the name of the band just the song , and of course i love almost everything that prince ever made except sexy m i really didnt care for it to much vaulgar lang.
 
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