These days, I imagine that all musical instruments are made in one Chinese factory the size of Texas, so I was delighted to get an email from Waqas Yaqoob, sales manager of M. Basharat Dolit Maker. The company is based in Sialkot, Pakistan: "We Proudly inform you that M. Basharat Dolik Maker is family owned business, our family is in manufacturing business since last 50 years since our forefathers. Established by late Mr. Mohammed Hussain, who received the woodcraft of making music instruments from his father M M Khuon. Mohammed Hussain had devoted his life in the field of making music instruments and delivered his manufacturing craft to his son, M. Basharat, who is owner of M. Basharat Dolik Maker. We are manufacturers of fine quality Scottish highland bagpipes, smallpipes, harps, pipe chanters, reeds, congas, bongos, Scottish kilts, sporrans and other music instruments." Sialkot was a British army base from 1849 to independence, so perhaps that's where the sporran connection comes from.
Clari-Fi is a little passive $50 gadget which goes between your iPod and your headphones, and makes some huge claims about digital music: "This technology allows for real-time compression of digital audio, removing harmful digital artifacts and 'spikey-ness,'... Clari-fi's semiconductor was developed with custom silicon with the sole purpose of quasi-logarithmically compressing audio sources having earphone load impedances of 25 to 50Ω. The compression algorithm continuously limits digital artifact peaks." There's a whole page of what looks to me like long words for the purpose of confusing customers, but I'm not an expert. Can someone who understands sound technology better than me explain what this thing is, what it's doing, and why we don't have them built into everything already? Here's a positive review that doesn't tell me anything, with some extremely snakey comments: "It allows ‘good’ high frequencies to be heard and only compresses highs that are peaking...this thing flat out eliminates hearing fatigue." (via Palm Sounds)
It's bad form to mock the advertisers (or bass players), but... seriously.
Here's a technology in search of a killer app: Echo Nest is a web service. Send it an MP3, and it will send back a 800k XML file containing details about the track, from it's basic BPM to it's detailed structure, melodic content and dynamic range. You get timecodes for the start of each beat (or 'tatum'), then details of the loudness, pitch etc of each 'tatum'. Among other things, you could use the data to automatically chop a track into perfect loops.
Nice to see Dan McPharlin made a nice white reel-to-reel control panel thing for the cover of this month's Wallpaper. There are new models in his flickr set, an interview on Wire to the Ear, the splendid new-ish gear blog, and finally some shots of Dan's own home studio, which runs on CV/Gate from a Roland MC-4.
A couple of years ago, one of the angriest comment threads ever on Music Thing concerned a bunch of students in Aberystwyth who bought a piano on Freecycle, put it on a beach, burned it, and said it was art. Today, YouTube is stuffed with people being mean to pianos. Damn, you must have had some bad piano teachers...
It looks like a late April Fool, but isn't. Neutrik, who make over 1,600 different types of connector, are launching blinged-up male & female XLR plugs, presumably for the growing diva market. The CrystalCON comes in black with a few Swarovski crystals attached. There's no price yet, but the connectors will go perfectly with a Sennheiser E835 covered in Swarovski Crystals in one of 25 colors. Standard E835 = £60. Bling E835 = £290. And while you're at it, you could be playing this gruesome custom strat which sold last year for £7750.
So, Sony sent me a pair of their new PFR-V1 headphones, which are supposed to sound like you're sitting in front of a pair of speakers. I'm not sure why, as they're not being sold as pro monitor headphones. Anyway...
I'd never thought about whistles until I stumbled across the bizarre-looking Acme Nighingale in the Thomann catalogue.
The Tone Generation is a ten part series of podcasts about the earliest days of electronic music. Part One [mp3 link] covers Britain - with rare recordings from the 1950s and '60s by people like Tristram Cary, Daphne Oram, and assorted Radiophonic Workshop alumni. The music on offer is all pretty challenging - lots of atonal bleeps and waves of noise and very different from the commercially-minded output of Raymond Scott, who was working at the same time - although with more expensive gear. The podcast is presented by Ian Helliwell, and produced by Simon James, who also did the splendid Welcome to Mars.
Remeber the MidiGun? It was a camp flouro plastic gun with knobs on it for controlling DJ software. Well, Swindon-based guitarist Stuart Rowe was so inspired, he commissioned Christopher Bauder, who build the MidiGun, to build him the Midi Parasite. I'm not entirely sure how it works - it clips onto his Telecaster behind the bridge, and has various knobs and switches to control Guitar Rig and Ableton Live, and it has some kind of laser theremin setup. It doesn't seem to take any midi data from the guitar itself. More details in the 'Interfaces' section of White Void (enjoy the bonkers 3D navigation) and in the White Void flickr set.
Here's the one and only prototype of Roger Linn's Midistudio. It was announced at NAMM in 1986 as the replacement for the Linn 9000. That machine had velocity-sensitive pads, but the Midistudio added sampling, and put the pads into the famous 4x4 grid. This machine was the demo model used by the sales team, and it's for sale in the current Vemia auction - currently for £880. Linn went bust in 1986, the Midistudio was never manufactured, and Roger went to design for Akai, releasing the MPC 60 in 1988. It's great watching design evolve. This has the sliders from the Linn 9000, but the colour from the MPC. The cool removable control panel (a 100ft extension cable would have been available) didn't re-surface until the Akai S6000 from 1998, by which time the hardware sampler was all but dead.
There are many reasons to love and be excited be Andre Michelle's Hobnox AudioTool Demo. Many of them were explained by Peter at CDM when he covered the Beta a month ago. My favourite feature? If you don't touch it for a while, the lights go out, leaving the LEDs twinkling in the twilight. In case you haven't seen it, it's the first teaser for a modular Reason-style music environment, working entirely in Flash in your browser. At the moment there are 2x303s, 1x909, 8xstompboxes and a mixer. An 808 will be along in a few weeks, and then interesting things will no doubt start to happen. Love the way it can be enhanced and tweaked constantly - there's no monlithic application to download. There's a nice discussion of the merits of luxurious 3D interfaces over at Analog Industries, where Chris has announced Dubstation 1.5, which looks beautiful: Commenter Tom: "IMO could have done without the fake jacks and 'table top' background" Designer Chris: "Those jacks aren't fake."

Labels: Instruments Survey, tips
New from Goldbaby, the NZ samplists behind Tape 808, is Analog Autorhythms - a $24 collection of preset loops (+ individual hits) from old school drum machines like the Korg Rhythm 55B. Even if, like me, you already have tonnes of badly sampled, badly labelled, rarely used folders of 'old school' sounds cluttering up your hard drives, it's still worth giving this a go, because it's done properly.
In case you haven't seen it yet, Muxtape is a wonderful, ultra-simple, fairly illegal mixtape-sharing site. Upload 12 mp3s, arrange them, pick a header colour and thy're there for the world to stream. There's no easier way to share you music (or anyone else's.) My 'spring is here, haul the barbecue up from the cellar' mix is at musicthing.muxtape.com. Where's yours?
If you're a regular reader, you probably read Music Thing through the RSS Feed and rarely ever see the site itself. If you do pop in, you'll see a few cosmetic changes - hopefully a lot more space and less clutter. Any feedback is welcome, particularly if you can work out how to get the Google Gadget (bottom of the middle column) to display reliably - it should pull in headlines from other fine music blogs. If you use iGoogle, you can get the music gear blogs gadget yourself. (Thanks to Peter, David & Michael for pre-launch feedback) *Actually, it's mainly css and really crude javascript.