9/24/2006

"Creating musical magic from thin air and solid state electronics"


Here is a really wonderful clip of Giorgio Moroder, uploaded from an old Casablanca Records promo tape by Josh. It opens with Giorgio playing with a Roland MC-8 - the £4,500 digital CV/Gate sequencer introduced in 1977 and used on records like 'Dare' by the Human League (all you ever wanted to know about the MC-8 is here). At the end of the clip is a shot of Keith Forsey, who drummed on Giorgio's finest moments before going on to produce Billy Idol's big '80s albums. (More Giorgio here, of course)

11 comments:

  1. Anonymous2:26 am

    What the heck is used to trigger that Rhodes and what is controlling it?

    ReplyDelete
  2. Anonymous11:32 am

    I have an MC-8 - but I need the
    connector cable to go from it to the
    output module. Anyone care to
    help me?!

    ReplyDelete
  3. Anonymous11:59 am

    hey tom! I bet someone has already mentioned this before, but did you that on "GTA: Liberty City" there's a car radio just with Moroder's tracks?

    sweet...

    ReplyDelete
  4. Anonymous4:17 pm

    The tracks are all from the Scarface soundtrack

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  5. Anonymous4:23 pm

    Georgio is king.

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  6. Anonymous9:06 pm

    Here's a song of his...
    http://www.youtube.com/watch?v=3NSncP-hdEg
    Ignore the crap video, which proves I was right to hate discos, and enjoy nearly 6 minutes of the synths

    ReplyDelete
  7. Anonymous9:23 pm

    Look everyone, Georgio's creating a "Record Album"!

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  8. Anonymous5:59 am

    anyone knows what the song starting at 0.20 with the rhodes is called?

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  9. Anonymous8:07 pm

    i used to have this record .. picked it up at a thrift store! it f'in ruled the school .. the cover was awesome too ... his chest was made of synths and stuff ... it even had a cool ass vocoder "shout out" song were he drops some respect.

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  10. Anonymous10:54 am

    The record is E=MC2, the vocoder track is Baby Blue.

    http://www.discogs.com/release/99281

    ReplyDelete
  11. Anonymous7:36 am

    It seems that the Rhodes is just played full normaly (fingers strokes the keys), but there is a mirror hold between fingers and camera, so you can see only half of the keys. Why do the film makers so (if it's true as I described)? Just perhaps to "create musical magic" also by a film trick...

    ReplyDelete

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